Toranwali Mata is universally recognised as the ‘Gramdevi’ or presiding village deity, of the ancient and historically illustrious city of Mehesana. Mehsaji (Mesaji) Chavda, a scion of the Rajput dynasty, founded this city in 1358 AD (Vikram Samvat 1414) on the auspicious occasion of Bhadrapad Shuddha Dashami by consecrating the idol of Goddess Jagdamba. The temple attained renown as the ‘Toranwali Mata Temple’ because Mehsaji Chavda established the city by binding a ‘toran’ (festoon) consisting of seven coconuts. Indeed, the city itself derives its name, ‘Mehsana’, from Mehsaji Chavda. He entrusted the responsibility of the city’s development to the Barot and Brahmabhatt communities. Consequently, the Goddess is also worshipped as the ‘Kuldevta’ (ancestral deity) of the Barot community.
The history of Mehsana city is enriched by ancient mythological references. The region of Anartapur, 
mentioned in the ‘Skanda Purana’ and the ‘Dharmaranya Purana’, subsequently witnessed many valiant regimes, including those of the Mauryas, Chavdas, Chalukyas, Solankis, Mughals and Gaekwads. The glory of this township established by Mehsaji Chavda, along with the profound faith in Toranwali Mata, has been immortalised in the verses of the poet Jaisinh Barot (Brahmabhatt). Later, in 1902, under the Gaekwad regime of Vadodara, the administrative capital of the northern division was shifted here for logistical convenience, bestowing modern significance upon Mehsana. The installation of the Goddess emerged from the Rajput tradition of establishing a ‘Shakti’ deity at the city gates for the protection of the settlement. According to local folk belief, this village deity safeguards the city from external calamities. Alongside the Barot community, 
numerous families in the city have embraced her as their ancestral deity. To this day, local devotees steadfastly preserve the tradition of seeking the Goddess’s blessings on auspicious occasions such as weddings or births within the family.
This grand temple is situated in the bustling ‘Toranwali Bazar’ area of Mehesana. Upon entering through the temple gateway, one arrives at the courtyard. A few paces further, one encounters the ‘Mahadwara’ (grand portal), flanked on either side by sculptures of elephants (‘Gajaraj’). The temple of Toranwali Mata stands at the centre of the courtyard. At the base of the marble-paved entrance, ‘Kirtimukhas’ (auspicious lion faces) are carved, with idols of ‘Dwarpalas’ (gatekeepers) stationed on either side. The upper sections of the temple walls feature intricate latticework. Within the principal sanctum, an ethereal idol of the Goddess, carved from ‘Shaligram’ stone and mounted upon an elephant, 
resides within an exquisitely crafted pavilion. A ‘toran’ of coconuts is traditionally bound across this pavilion. An eternal flame has remained lit in the temple since the day of the idol’s consecration. The temple is crowned by a domed spire and the courtyard also houses separate shrines for Santoshi Mata, Hanuman, Bhairav and Ram-Lakshman-Sita, as well as a Shivalaya. A ‘toran’ is ceremoniously bound at a designated spot in the courtyard and the tradition of replacing the old festoon with a new one every year after Holi (around the time of Gudi Padwa) is meticulously maintained.
Numerous festivals are celebrated at the temple throughout the year. The Navratra festival, falling in the month of Ashvin, is considered the most significant celebration.
The festivities commence on the first day (Pratipada) of the bright fortnight of Ashvin. During this nine-day festival, each of the nine distinct forms of the Goddess is worshipped with independent daily rituals. For the first three nights, the Goddess is worshipped in her Durga form. During the subsequent three nights, Lakshmi, the goddess of wealth, is invoked. For the final three nights, Saraswati, the goddess of knowledge, is venerated. During Navratri, the entire temple is adorned with flowers and lamps. Traditional Garba and Dandiya Raas dances are organised within the temple precincts and across the city at night, with local residents participating in large numbers and donning traditional attire. The festival concludes on Dussehra, the tenth day of Ashvin (Vijayadashami). During Diwali, the temple is decorated with an array of lamps. Merchants visit the temple on the auspicious occasion of Diwali (Lakshmi Pujan) to seek blessings for their new account books, a tradition known as ‘Chopda Pujan’. Special religious rites are also performed during Holi and Dussehra. Drawing on the historical records of historian Jaisinh Barot, Mehsaji Chavda founded the city on Bhadrapad Shuddha Dashami. To commemorate this historical event, a special fair is organised at the temple every year on this date, attracting citizens from numerous surrounding villages who arrive for the Goddess’s ‘darshan’.
